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20/20 Vision, Second Edition

The Art of Contemporary University Printmaking

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Veronica Siehl

The mark making I employ is an act of patience, of repetition, of anxiousness. My images consist of tiny marks. Textures compose, cover and occasionally obliterate figures. Miniscule marks create the whole.

I am interested in predator and prey, in the actions of cloaking and confronting that are implied by these roles. I find labels of “primal v. tame” and “natural v. unnatural” curious. I enjoy the moment when binaries become confused, morphed, or crossed. Objects that cover the body can serve to protect as they conceal. In them lies potential to disguise, shield, camouflage or assimilate the wearer. Being and becoming are merged.
 

 


 
 

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